Recent Press on Our New Releases
November 10, 2011 by Seth
As we approach the end of the year, we wanted to recognize some of the great press our newest releases have received:
Inana - Amir ElSaffar
“The music deftly combines jazz and Middle Eastern music in a unique way, finding common ground in improvisation… ElSaffars studies in both jazz and ethnic music have placed him in good stead to carve out a unique place in the current improvised music. His music and musicial concept is clearly evolving, and this is a very exciting development.”
Jazz and Blues
“Gracefully poised between two worlds, Inana builds upon ElSaffar's previous accomplishments, establishing an impressive precedent for the creative possibilities of a new global jazz aesthetic.”
Oblique-I - Tyshawn Sorrey
One of five drummers whose time is Now
. A spectacular young drummer on jazzs leading edge, Mr. Sorey has proved himself a serious new-music composer besides, sometimes to the point of cerebral severity. But Oblique-I just out on Pi, is a riveting album, with compositions custom designed for the same musicians found here.
New York Times
Oblique I, is mostly the kind of rollicking band album youd expect from a powerhouse drummer. His melodies are complex and full of surprises, but often light on their feet. Leading by example, Sorey is helping to heal an old rift in contemporary jazz, between musicians for whom swinging is everything and those also interested in other kinds of rhythmic subtleties and complications
. His quintet/quartet plays twisty, turny rhythms that surge ahead and then fall back, typical of jazzs left flank. But under those zigzag lines, Soreys drums barrel along like a runaway tractor trailer. He makes those tricky patterns move.
The Mancy of Sound - Steve Coleman
A vivacious group effort brimming with intricate cross-hatched melodies, oblique harmonies and kaleidoscopic rhythms, The Mancy of Sound follows Harvesting Semblances and Affinities as the strongest albums of Colemans career, reinforcing his significance in the development of contemporary jazz.
Point of Departure
Of all the musicians who followed Coltrane, Ornette and the AACM, Coleman has done the most work and sustained the highest level of innovation and creativity of output and impact.