Nasheet Waits

Nasheet Waits, drummer/music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits. Over the course of his career, Freddie Waits played with such legendary artists as Ella Fitzgerald, Sonny Rollins, Max Roach, McCoy Tyner, and countless others.

Nasheet’s college education began at Morehouse in Atlanta, GA, where he majored in Psychology and History. Deciding that music would be his main focus, he continued his college studies in New York at Long Island University, where he graduated with honors, receiving his Bachelor of Arts in Music. While attending Long Island University, Waits studied privately with renowned percussionist, Michael Carvin. Carvin’s tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach. It was Max that first gave Nasheet’s formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M’BOOM. One highlight of Nasheet’s tenure with M’BOOM was the live concert performance of M’BOOM with special guests Tony Williams and Ginger Baker.

Nasheet’s talent came to the attention of reedman Antonio Hart, who asked Waits to originate the percussion chair of his first quintet. Waits remained a standing member of Antonio’s various ensembles, recording three albums and touring nationally and internationally in noted venues, jazz festivals, as well as live television and radio performances. Nasheet remained a member of Antonio’s group through 1998.

Most recently Nasheet has been a member of Andrew Hill’s various bands, Jason Moran’s Bandwagon, and Fred Hersch’s trio. As an originating member of pianist Jason Moran’s Bandwagon, Jason, bassist Tarus Mateen, and Nasheet have been deemed, “the most exciting rhythm section in jazz” by JazzTimes, The 2001 recording Black Stars with the Bandwagon, featuring Sam Rivers was named the “Best CD of 2001” in Jazz Times and The New York Times. Nasheet’s recording and performing discography is a veritable who’s who in Jazz, boasting stints with jazz notables such as Geri Allen, Mario Bauza, Hamiett Bluiett, Abraham Burton, Ron Carter, Marc Cary, Steve Coleman, Stanley Cowell, Orrin Evans, Stefon Harris, Andrew Hill, Bill Lee, Jackie McLean, The Mingus Big Band, The New Jersey Symphony Orchestra, Greg Osby, Joshua Redman, Vanessa Rubin, Antoine Roney, Wallace Roney, Jacky Terrason, Bunky Green, and Mark Turner. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States.

Amidst his performing, recording and touring activity, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music. He has been heralded for his musicality and creativity by such virtuosos as Ed Thigpen, Max Roach, Andrew Hill, and Stanley Cowell . True to his personal philosophy of the necessity to balance Tradition and Modernism, Waits collaborates and performs regularly with a wide range of artists. He remains dedicated to exploring his role and creative path in music.
from nasheetwaits.com

 
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The Year End Lists are in and we would like to thank the following critics for their support of our releases this year; Alex Dutilh for including Muhal Richard Abrams, George Lewis and Roscoe Mitchell’s Streaming and Rudresh Mahanthappa’s Codebook in his year end list and Stuart Broomer and Philip DiPietro for including Steve Lehman’s On Meaning in their year end lists.

Additionally, we would like to thank those critics whose votes helped Muhal Richard Abrams Vision Towards Essence to be included on the Village Voice 2007 Jazz Poll and those whose votes helped Amir ElSaffar’s Two Rivers to be recognized among the Best Debut Albums of 2007.

posted on January 2, 2008 by Seth

 

The end of the year is fun for any number of reasons, but it is especially fun for us as it gives us a moment to find out who really enjoyed our output for the year.

At the top of our list this year has to be Derk Richardson. His declaration that Muhal Richard Abrams Vision Towards Essence is the Solo Piano release of the year, in the San Francisco Gate, is no small step towards making this our best year yet.

Not to be outdone though, Siddhartha Mitter listed Amir ElSaffar’s Two Rivers in his 2007 best of list in The Boston Globe alongside M.I.A. and Bettye LaVette. Not bad.

posted on December 23, 2007 by Seth

 

We never get tired of support from the New York Times, especially when it is as positive as Nate Chinen’s review of Steve Lehman’s On Meaning. From the most recent Critic’s Choice column Nate describes the results of the recording date as “The layered complexity of his music attests to some careful calibration, but the playing reflects something else: a spirit of lunging abandon constrained by collective purpose.” Regarding other label favorites, “The album’s chief relationship is between Mr. Lehman and Tyshawn Sorey, an impulsive yet exacting drummer; together they make up two-thirds of Fieldwork, a separate group that has made a science of rhythmic convolution.” Further wets our appetite for 2008, as Fieldwork goes into the studio this Friday to start work on their third recording.

From the pages of Jazz Times, Chris Kelsey’s review of Amir ElSaffar’s Two Rivers appropriately sums up Amir and the recording with these lines, “ElSaffar’s band (Rudresh Mahanthappa, alto sax; Nasheet Waits, drums; Carlo DeRosa, bass; Tareq Abboushi, buzuq and percussion; Zaafer Tawil, oud, violin, dumbek) has nary a weak link… There’s not the faintest hint of dabbling here; ElSaffar knows from whence he came, in every respect.”

posted on December 19, 2007 by Seth

 
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